The Mandalorian s02e02 – Chapter Two: The Child

Maybe even more than the first episode, this one’s a commercial for Disney’s purchase of Lucasfilm. The adorable sight of Boba Fett playing Lone Wolf and Cub with a baby Yoda, what could be more PG+ Disney. Sure, the Mandalorian (Pedro Pascal) isn’t actually Boba Fett—though it’s unclear if he’s another Fett clone—but he’s better than Boba Fett because he hasn’t gone after our favorite good guys. In fact, he’s protecting an astoundingly adorable baby Yoda. It’s obvious the bounty on the baby Yoda is going to present an ethical dilemma for Pascal, who’s shockingly not bright and kind of whiney, actually. Like his bounty hunter spaceship from the Prequel Trilogy gets stripped by Jawas and he’s surprised. It seems like something he should be prepared to deal with.

Then there’s the Boba Fett versus Jawa Sandcrawler playset slash LEGO Star Wars: Boba Fett level when Pascal, his stunt man, and his CGI stunt animation try to take out the Sandcrawler in order to get back the ship’s missing pieces. During this entire sequence, baby Yoda is left alone in they’re floating pod (going gender neutral for now because, yeah, it seems like “Mandalorian” is going to introduce a female baby Yoda—a Disney Princess Girl Yoda—which is awesome and bring it on but also a tad obvious, which is a much more appropriate middle-name for show creator and writer Jon Favreau than Kolia)—anyway, Pascal isn’t paying any attention even though the episode opens with him fending off other bounty hunters after the baby. He’s not worried about such things when he’s fighting the Sandcrawler.

And the Sandcrawler sequence is impressive. It looks great; 21st century Disney visuals are phenomenal visuals.

Eventually Pascal has to go back to the verbose ugnaught (I finally heard the Nick Nolte in his voice this episode), who informs Pascal he needs to barter with the Jawas. Maybe the most interesting thing about the episode as far as Star Wars universe stuff is the idea Jawas go from planet to planet. Far more interesting than if the desert planet is actually Tatooine and there’s some tie-in to the next Star Wars movie, which is possible but seems kind of bold. Though, I suppose if anyone’s going to get away with it, it’ll be Star Wars. Star Wars got away with Jar Jar Binks and midichlorians.

Will Pascal learn to control his temper enough to work with Nolte to keep his bounty baby safe and so on?

It’s a Disney movie, what do you think. “The Mandalorian” is what the Ewoks TV movies should’ve been.

And now I do want to know if Favreau had a painted Boba Fett figure so it could be a new character.

Or I don’t. I changed my mind. I don’t. Custom action figuring when you’re in your late teens is something one should keep to himself. Bricks, glass houses, etc.

The Mandalorian s01e01 – Chapter One

“The Mandalorian” is either like reading seventeen year-old Jon Favreau fall 1983 post-Return of the Jedi fan fic or it’s like playing his intricate, verbose Star Wars: The Roleplaying Game campaign–oh, wait, SWTRPG didn’t come out until 1987. So, no, it’s more like watching Jon Favreau play with his Jedi toys. A lot. But the toys play into how the story unfolds—Favreau, who wrote the episode in addition to creating the show, reaches into the toy bin, pulls out a figure, somehow makes it fit into the story. There’s a way too articulate ugnaught, a figure from Empire, pointlessly voiced by Nick Nolte. Most of the figures and vehicles are from Jedi. I think one of the guns is from Empire. You could sit with an old Hasbro catalog and check off items in the episode.

Visually, it looks like a bunch of Ralph McQuarrie paintings. Dave Filoni does an okay job with the direction. He tries hard to make it look like Star Wars: The Original Trilogy as far as his composition—outside when you’re pretty sure it’s a direct lift off a McQuarrie concept painting—but there are shot homages to Jedi the most, maybe Star Wars. Watching “The Mandalorian,” Disney has fully put on its big boy pants and figured out how to market to males age four through forty-four. I’m not sure Werner Herzog is going to attract the fifty-four year-olds. But if you grew up with Star Wars, “The Mandalorian” is for you. It’s how you could keep playing with your Boba Fett toys even after he died in Empire.

Oh, all the mythology on the Mandalorian culture? Metallurgy, female Mandalorians—“Mandalorian” is aimed at the OG Empire Boba Fett fanboys. I wonder if they’re going to release special toys.

Is it a good show? It’s not a bad show. It’s technically flawless except the Ludwig Göransson music, which isn’t bad just a bad idea for the show. Quirky Western. Eh. But it looks great. The acting’s… eh. Herzog’s in a scene, he’s quirky. Carl Weathers is in a scene. He’s not quirky. Lead Pedro Pascal is fine but the more he talks the more you realize you’re watching a cartoon turned live action through CGI.

Will I watch more of it? Sure. It’s never going to be challenging, but will always be mildly engaging and look great; besides, I like pointing out the toys I had as a kid too.

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